“It’s a psychological overload”: Weirdcore on creating Aphex Twin’s live visuals

The mystery that surrounds Aphex Twin is like no other, outside and within electronic music, a genre he has shaped over the past 20 years. A man of 18 different pseudonyms, the rumours that surround Richard D. James are absurd but often true. It is difficult to name another artist who encourages such hearsay as to whether he lives in a box structure on the Elephant and Castle roundabout, when he was actually living in abandoned bank office. He’s a musician who announces upcoming albums via blimps flying over London or by hiding a track list in a deep web server, an innovator across all aspects of his creative output. It comes as no surprise, the visuals of Aphex Twin have evolved with the increased sophistication of technology.

The man behind Richard’s visuals is similarly of a fascinating alias, Weirdcore. Despite interviewing him, we are still unsure of his true identity, which makes him a suitable collaborator for Aphex Twin’s live visuals, which took over an aeroplane hanger at Field Day this weekend.

“When people ask me what I do I tend to struggle a bit to be honest with you,” Weirdcore tells It’s Nice That. “I guess I just do anything that’s visual in some way. I think of myself as more of a designer, but it’s open to whatever medium. It has taken me years to get to this point though.” Originally studying graphic design, Weirdcore began working in computing, then marketing, before going back to graphic design when he moved to London, designing websites and DVD menus in Soho. In his spare time he began to create live visuals in clubs, “it was more like a hobby, well maybe not a hobby, but just something I would do at the weekend, not for the money,” he explains. “It just grew into getting bigger fees and became what I could do professionally.”...more